Catherine Knight, Sun Rays
2022
Gouache on watercolour paper
28 x 19 cm
Float mounted and framed in thin, deep oak frame with a wax finish,
glazed with AR museum glass (anti-reflective)
Framed size 36 x 27.5 cm
£650
Bristol-based artist Catherine Knight’s solo show ‘Long Shadows’ is a collection of work inspired by her visit in February 2022 to Oslo and to Åsgårdstrand, a small town on the Oslo Fjord, which was a source of inspiration for the artist Edvard Munch, and where he painted many of his famous works in the 1890s and early 1900s, including Melancholy, Girls on a Bridge, and The Voice. This body of work is Catherine’s distillation of her experience visiting the small house which served as a fixed point of continuity throughout Munch’s life, of being there in that crisp and sunny February, paying homage to Munch and his Lykkehuset, his ‘Happy House’.
2022
Gouache on watercolour paper
28 x 19 cm
Float mounted and framed in thin, deep oak frame with a wax finish,
glazed with AR museum glass (anti-reflective)
Framed size 36 x 27.5 cm
£650
Bristol-based artist Catherine Knight’s solo show ‘Long Shadows’ is a collection of work inspired by her visit in February 2022 to Oslo and to Åsgårdstrand, a small town on the Oslo Fjord, which was a source of inspiration for the artist Edvard Munch, and where he painted many of his famous works in the 1890s and early 1900s, including Melancholy, Girls on a Bridge, and The Voice. This body of work is Catherine’s distillation of her experience visiting the small house which served as a fixed point of continuity throughout Munch’s life, of being there in that crisp and sunny February, paying homage to Munch and his Lykkehuset, his ‘Happy House’.
2022
Gouache on watercolour paper
28 x 19 cm
Float mounted and framed in thin, deep oak frame with a wax finish,
glazed with AR museum glass (anti-reflective)
Framed size 36 x 27.5 cm
£650
Bristol-based artist Catherine Knight’s solo show ‘Long Shadows’ is a collection of work inspired by her visit in February 2022 to Oslo and to Åsgårdstrand, a small town on the Oslo Fjord, which was a source of inspiration for the artist Edvard Munch, and where he painted many of his famous works in the 1890s and early 1900s, including Melancholy, Girls on a Bridge, and The Voice. This body of work is Catherine’s distillation of her experience visiting the small house which served as a fixed point of continuity throughout Munch’s life, of being there in that crisp and sunny February, paying homage to Munch and his Lykkehuset, his ‘Happy House’.
